Broken Hands are a four piece from Cantebury who recently completed a cracking UK tour in September. TT has reviewed their current EP to nudge them towards the headline act status that surely awaits them.
Alarms
Making Biffy look soft, this is new way to make British rock music: powerful riffs and a vocal to die for. Dale Norton has a strong set of pipes for sure, but lurking in there is a fragility that makes him human, makes him seem vulnerable to the world. Nevertheless, as the music drives along through the chorus, it’s clear that this world has nothing that frightens him enough to ever crawl away and hide.
Making Biffy look soft, this is new way to make British rock music: powerful riffs and a vocal to die for. Dale Norton has a strong set of pipes for sure, but lurking in there is a fragility that makes him human, makes him seem vulnerable to the world. Nevertheless, as the music drives along through the chorus, it’s clear that this world has nothing that frightens him enough to ever crawl away and hide.
Curves
This is going to be a crowd favourite. Anything with a big
visceral opening has to be, it’s the law right? In TT’s view, this is as
classic as it gets. It has a bass line that marches you straight into the big
riffed chorus, before a lowdown dirty guitar solo gives you something to lose
yourself in. Reading and Leeds festival goers best be aware of this track because
it screams to be adored by a crowd of thousand drunk music lovers .
At Least I Let You Down
Norton’s vocals here have a subtle nod to My Morning
Jacket’s Jim James which compliments the Black Keys’ pumped glam rock vibe
going on here. The slow building stomp will have fingers tapping on many a steering
wheel, but it is the subtle rock-pysch synths lingering in the background which
give this tune real substance. For a debut EP, this shows they have a real
musical knowledge; imagine what someone like Dave Zitek or Nigel Godrich could
bring to the table for them.
Pulled Under
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